Conflict is a very significant factor of fiction. Without conflict there would be no story. The main conflict in “The Grim Grotto” is locating the sugar bowl and keeping it away from Count Olaf. The opposing forces are Count Olaf’s troupe and the Baudelaire orphans. This conflict was never resolved within the book. However, there are many subordinate conflicts in this story. The first subordinate conflict is finding Quigley Quagmire and meeting him at the last safe place. The conflict is in between the Baudelaire orphans and Count Olaf. This is the Baudelaire’s conflict. Another one is saving the youngest Baudelaire-Sunny from the poisonous Medusoid Mycelium. This is Sunny’s conflict because she is suffering from the Medusoid Mycelium. All of these conflicts were external conflicts because they are about characters against each other and not about emotions.
Also sometimes called the hero or heroine of the story, the is the main character. In some cases, the reader experiences the story through eyes of the protagonist; in other cases, the protagonist may be only one of many characters whose perspective is described. It is important to note that the protagonist need not be a character with whom the reader identifies; he or she might be a true hero but could also be a character the reader is supposed to dislike.
The struggle between two opposing forces is called a CONFLICT. Every story has it. The conflict makes you keep reading the story to learn the outcome of the struggle. When one character fights another character or battles nature, the conflict is referred to as . When the struggle takes place within the character, it is an INTERNAL CONFLICT.
As you begin writing a work of fiction—whether it be a short story or a novel, though you may not know yet what shape your piece will take—you might think of yourself as a director of a play. You will cast characters, dress them up, set them down somewhere, and push them into motion. They might collide with each other, or they might avoid each other—it’s up to you. They will each have their own unique appearance. Barring, of course, writing about identical twins, and even then, there will likely be distinctions. Your characters will each have their own set of values and beliefs. On top of that, they will have wants and needs. You’ll have to sort all this out, help some of them gain their wants while thwarting others, until you reach some form of resolution. But before you can do all this, you’ll need to create characters.
Fiction and Character Essays - 866 Words | Majortests
Obviously not. Eileen tends to be quiet, thoughtful, and observant. These are not bad traits. Not all college applicants need to have the type of exuberant personality that can psych up a gymnasium full of students. Eileen knows who she is and who she is not. Her essay focuses on an important character in fiction who helped her be comfortable with her own personality and inclinations. Eileen is a wallflower, and she is proud of it.
Character in Nonfiction | TriQuarterly
Flat characters are minor characters in a work of fiction who do not undergo substantial change or growth in the course of a story. Learn more about flat characters and how they differ from .
Most authors agree that fiction is primarily driven by characters. Successful authors talk about characters who take over the story, who have their own separate and independent consciousnesses. Outlines and plans for plot go out the window as characters insist on moving the story in a direction of their own design.
How to Write a Character Analysis Essay | The Pen and …
[…] As you can see these were very simple and the bare minimum. Character backgrounds can be as extensive as necessary to help you create your story. But bare in mind, you might change your mind half way through, and instead of having velvety blue eyes, your character can have dark crazy eyes. Here’s a great blog post I found about character writing prompts. […]