I very much doubt the heathen Anglo-Saxons honoured Eostre with eggcups. I very much doubt they had eggcups. But all who attend our Eostrefest seem to feel that the goddess approves - and that she gets a kick out of watching us soak each other in mead in her honour.
All participants bring an eggcup. We fill these with mead, and then ritually bless them. Everyone simultaneously tosses the mead up in the air and yells "Hail Eostre!" - with the goal of getting as much mead raining down on others as possible. Next we fill a horn with mead and have a round of toasts to Eostre, spring and new growth. Afterwards we feast (picnicking if the weather permits). Decorated hard-boiled eggs as well as chocolate eggs tend to be on the menu.
We start with everyone making food or drink offerings to the wights of the wood. Then we welcome Eostre and give her an offering of mead - splashing it on her statue. We ask the wood wights to bless the seeds for us, so that we can remember them and honour them throughout the summer.
According to various popular sources: Eostre has a hare familiar/totem animal; Eostre can take the form of a hare; Eostre has the head of a hare.
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All we know from Bede was that she was worshipped sometime in April. Bede also mentions another Anglo-Saxon goddess, Hredhe, who was honoured in March, and for whom the month of March was named. If the heathen Anglo-Saxons actually did worship a goddess at the Vernal Equinox, then according to the only historical evidence we have it would have been Hredhe, not Eostre.
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In the first sentence of the fourth paragraph (third paragraph in the body), "one blind eye" is used that hooks into the previous paragraph. This first sentence also lets the reader know that this paragraph will deal with descriptions of people: ". . . what the old man looks like . . .." Once again Poe is quoted and discussed. The last sentence uses the word "image" which hooks into the last paragraph. (It is less important that this paragraph has a hook since the last paragraph is going to include a summary of the body of the paper.)
1"Thick darkness," "thread of the spider," and "vulture eye" are three images that Poe used in "The Tell-Tale Heart" to stimulate a reader's senses. 2Poe wanted the reader to see and feel real life. 3He used concrete imagery rather than vague abstract words to describe settings and people. If Edgar Allan Poe was one of Stephen King's teachers, then readers of King owe a debt of gratitude to that nineteenth-century creator of horror stories.
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Prior to executing an assignment, we conduct a meeting with the client that enables our writers to fully understand the requirements of the client so that we can fulfil his expectations.